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Nov 06
28
I Can Relate to This!

Chinese culture, all jazzed up

I went to a Chinese primary school, but learning about Chinese culture was never very fun: mostly loads of memorising dry, meaningless facts and phrases that seemed completely removed from day-to-day life.

At the Chinese Heritage Centre’s Sunday Playday this past weekend, though, there was a whole different range of possible cultural explorations at hand. For kids, this went way beyond basic origami and crooked Chinese calligraphy. How about a little Papyrus Kraft-ing to assemble a cheerful little bookmark?

Papyrus Kraft-ing, it seems, involves taking little bits of coloured, er, papyrus (though I don’t think the ancient Egyptians would recognise it as such) and packing it onto a template to create pretty patterns and pictures, without using any glue or paint or other substances that might create a sticky, smelly mess. Once the papyrus bits dry, which they do fairly quickly, they stay fastened to the template and make a fairly solid collage-like art piece.

All you need for a bit of Papyrus Kraft

Papyrus Kraft lesson

Then there were the ang pow lanterns, which were a far cry from the ones we used to cobble together for last-minute Chinese New Year decorations in school. Whoever originated these ang pow lantern sets was a genius, because each set takes something so common, colourful and evocative, and uses it in a simple arrangement to make something that looks so fancy.

Lanterns galore

More <I>ang pow</i> lantern genius” /></a></p>
<p><a href=More <I>ang pow</i> lantern genius” /></a></p>
<p>The sets seemed pretty easy to follow, given how young some of the budding lantern-makers were. I really wanted to try it out, but I’d spent all my cash on the cab fare to get to the Chinese Heritage Centre in the first place …</p>
<p><a href=From <I>ang pow</I> to lantern” /></a></p>
<p><a href=From <I>ang pow</I> to lantern” /></a></p>
<p>Because you know, all things considered, the Chinese Heritage Centre is a goodly distance from, well, almost everywhere. It’s a sight for sore eyes once you get there, though, its signature facade visible all around. It used to be the main administration building of Nantah, I believe, and it has still has a certain glow about it.</p>
<p><a href=Chinese Heritage Centre

Red and white never looks so good

Kids’ workshops aside, the Centre also had some great exhibitions that I hadn’t seen before. Photography wasn’t permitted inside the galleries, so I don’t have any pictures to show for it, but the exhibition on “The Chinese Overseas” was really stunning. It begins with a vision-teasing array of mirrors that you have to walk around and past — assuming you don’t get confused and stuck inside — while surrounded by images of the overseas Chinese in the last century, as they saw themselves and as others (typically Westerners) saw them. That gallery alone is worth popping into the exhibition.

Subsequent galleries talk about the overseas Chinese in terms of the different generations that settled overseas, the different types of work they took up around the world, how they were caught up (or not) in the politics of China’s nationalism, and finally the impact they’ve had on world culture at large. That last gallery was fascinating too, with large projection screens, one devoted to an auteur in a particular field, e.g. I.M. Pei for architecture or Ang Lee for film. Very contemporary without trying too hard to be hip or anything.

Then there was the other more humble and certainly heartfelt exhibition, “Nantah: A Pictorial Exhibition”, recounting the history of Nantah’s founding and history. While it focused chiefly on the university’s early years, and as expected it glossed over certain more dramatic years in the 1960s, it still told a vivid and gripping story. I’m easy sometimes, I suppose — just stick a bunch of evocative black-and-white photos on a wall and I’m happy. Looking at pictures of how ardently the Chinese community in Singapore and Malaya collected funds to start Nantah makes me wonder, as I do once in a while, if people today would still have the heart to put that much behind a brave new venture.

One way or another, the Chinese Heritage Centre’s certainly tapped into different approaches to make Chinese culture and history come alive. Way better than what I used to get in school!

See Flickr: Explore Singapore!.

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(4) Comments


Posted by: Tan Wee Kiat
Posted on: November 29th, 2006

Hi! Enjoyed reading your article. You might like to know there is a recent (2006 July) stamp showing the Chinese Heritage Centre. This stamp is part of the set issued in honour of the 100th anniversary of the Singapore Chinese Chamber of Commerce. Readers of yesterday.sg may like to know that this set also shows the Sun Yat Sen Memorial Hall off Balestier Road and the "Chopsticks" war memorial in Beach Road. Sorry I do not know how to post the stamp image here but I will be happy to email it to anyone who is interested. My email is: dr_wktan@yahoo.com

Posted by: coolinsider
Posted on: November 29th, 2006

Thanks for the interesting take on this. I have also blogged about this in my own blog. http://coolinsights.blogspot.com/2006/11/papyrus-pleasures-chinese-heritage.html

Posted by: Motorcycle Sunglasses
Posted on: October 15th, 2010

Subsequent galleries talk about the overseas Chinese in terms of the different generations that settled overseas, the different types of work they took up around the world, how they were caught up (or not) in the politics of China’s nationalism, and finally the impact they’ve had on world culture at large. That last gallery was fascinating too, with large projection screens, one devoted to an auteur in a particular field, e.g. I.M. Pei for architecture or Ang Lee for film.

Posted by: Submit Links
Posted on: October 15th, 2010

Unfortunately, I cannot locate the source, age or name of poet and even my aunty in China cannot throw any light. At that stage my dad was too far gone in ill health and memory loss to recall the details.

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